There's a Sanskrit saying for it.
It literally means, "disrespect after too much familiarity".
Most of us have that trait.
We do it to what we have.
Let it be anything.
A computer. A phone.
A social position. A professional position.
Before we have it, we think it's all we want.
We worship it.
We court it.
We strive for it.
We pour our souls into it.
We change into a whole different person, to be eligible for it.
We get what we want.
Few days go, in "honeymoon period".
And then the bell curve starts it's descent.
We take it for granted.
We assume its availability in life to be assured.
We think we need not be that improved person whom we became to be suitable to that availability.
We go back to what we were.
We loop back. We think it's OK.
Words become too pointed and careless.
Replies become spontaneous reactions, instead of thought-out responses.
We start sprawling on the sofa; same as we start sprawling on the relationship.
Dinner dates aren't kept.
Promises aren't kept.
We think it's OK.
We start taking the other person's time, personal space, consent, feelings for granted.
We blame back, when the other person wants to talk.
We basically fade away from the frequency to which the niceties of the relationship were synced.
And life works like radio.
You change frequencies, you change what you get to hear.
Do we want to continue hearing love and joys and happiness and excitement and peace?
Do we understand that we need to maintain that frequency?
Do we realise it needs constant work?
Do we realise it's a two-way street; that both need all four feet in it? - Counselor Apoorv Vikas
Danish popstar MØ - or Karen Marie Ørsted - most known for her Major Lazer collaboration - "Lean On" as well as solo singles such as, "Kamikaze," "Final Song," "Don’t Leave" and "Nights With You," has finally released her second album - one that has been a long time coming.
Following her perfectionist formula of tightly coiled instrumental with muffled, minimalist beats, and raspy vocals, Forever Neverland manages to explore uncharted territories with its offbeat sound. With an overarching theme of nostalgia and not wanting to let go of the past, the album follows its short intro tentatively, exploring tribal pop songs with "Way Down" and "I Want You," both of which while urging you to bop along and dance still seems like it will remain hiding in shadows of the ever popular "Lean On."
But then comes "Blur," a freaky, anthemic track with grungy edges, which proves that notion wrong. Continuing to boast MØ’s ability to write a solid banger, with strummed acoustic guitar dropping into a screeching hook.
Moving into "Nostalgia," which as the name - and in keeping with the overall theme of the album - suggests transports you to a place of reminiscence and remembrance, before the bright blast of new age pop graces your ears in the form of Diplo collaboration "Sun In My Eyes." The entire first half of her second album offers back to back bangers, until a childlike vulnerability shines through within piano-ballad "Hollywood." This marks the beginning of the second half of her offering as an air of melancholy - with her innocent, relatable persona shining through - takes over with reggae bop track of yearning "Red Wine," while trip-hop piece / ode to escaping the realities of adulthood "Purple Like Summer Rain" finally closes out the 15-track album.
Intriguing and experimental, Forever Neverland manages to highlight the individuality of the multifaceted artist as she finds her own identity. And while tracks like "Beautiful Wreck" - springy, satisfying and by no means a misfit within this gripping offering - seems quite bland in comparison to the rest which boasts a bold sound, the album remains fascinating, never misses a beat and keeps you listening through to the end.